Last year I posted the world’s most beautiful Tenebrae music, Troisième Leçon de Ténèbres pour deux voix from the harpsichord teacher and court composer of Louis XIV, François Couperin. It’s a piece that’s really difficult to outbid. Fortunately French Baroque church music is overloaded with great compositions (so much that it makes me feel overwhelmed and troubled, actually). Originally I wanted to write about Michel Lambert, the composer of countless airs de cour, who wrote the first Leçons de ténèbres ever, as soon as 1662, but unfortunately YouTube is totally ignorant of the unique importance of his work so I just randomly picked one from another royal harpsichord teacher, Michel-Richard Delalande, who is famous for winning a composers’ competition that’s judge was XIV Louis, only and alone. Let’s speak about the role of totalitarian regimes in the evolution of music, haha.