Altough I no longer live in Salzburg, I decided to carry on with the Salzburg Series, because I don’t like things unfinished. There are really not that many Baroque composers that have anything to do with Salzburg and have some surviving works, so it’s a real shame it took 18 months for me to cover only 8 of them. I’ll try to speed up and finish this project because I have already my next one in mind.
So for today I picked Carl Heinrich Biber, the sixth and most talented son of Heinrich Ignaz Franz Biber von Bibern. There is not much to know about him except that he lived, worked and died in Salzburg and loved to compose for those excellent and virtuoso trombone players of the Salzburg court orchestra like Thomas Gschladt (although I know of no written evidence of them having been in contact, but hey, Salzburg is and were always
the provinces a small town where everybody is the cousin of everybody, even in our most recent days, haha).
From all the four pieces of his work YouTube offers I chose Concerto a quattro per la chiesa for strings. It’s a disturbing piece of music which The Cat very much dislikes – I hope at least some of you appreciate Carl Heinrich’s courage of using dissonances so freely in a harmony worshiping era.
PS.: Okay, so it’s not allowed to embed this video, so go over there for it.