Archive for April 18th, 2014

April 18, 2014

music for Good Friday – Lamentu di Ghjesu

by ada

For today’s music let’s go back to the ancient Corsican tradition of performing the Passion story during the procession of Good Friday: Lamentu di Ghjesu, based upon the folia theme, which is probably the oldest known ostinato ground (a harmonical line played repeatedly while the player/singer improvises a melody upon it). I could write pages about its origin and use through the centuries* without making you understand what it actually is, so let’s make it really simple instead:

  1. You have a few bars long harmony line that goes on and on and on, always in the same way
  2. Try to sing the main music theme of Vangelis1492 upon it
  3. Does it fit?
    a) Yes, it does – congratulations, you have a folia!
    b) No, it does not
      • it must be some other ostinato line
      • sorry, you probably didn’t sing it properly, try it again

Christina Pluhar‘s band L’Arpeggiata has been lately accused in early music circles** with “popularizing” early music, but I’m not sure if this expression really fits what they do, and even if it does, I don’t mind it at all. Because, actually, that’s exactly what this music needs: to made be known and loved by as many people as just possible. And, a fact that most of these devoted and oh so critical early music players tend to forget: this kind of music was intended to be performed mostly by common people. Just for pleasure. With no higher purpose than to serve everyday life events and/or to entertain. It should be taken for what it is: popular music at its best. 

PS: While last year’s Good Friday music was the great classic Es ist vollbracht from the Johannespassion, the year before I posted another, very beautiful Corsican passion song on another ancient ostinato line: Maria (sopra la Carpinese).

* I’ve actually done this for one of my music theory courses at the university

** not that I’ve had anything to do with early music circles since my depression other than writing vague, very unprofessional music posts twice a year, haha

April 18, 2014

music for Maundy Thursday – Johann Friedrich Fasch: “Mich vom Stricke meiner Sünden” (Passio Jesu Christi, FWV F:1)

by ada

For Maundy Thursday (is there any part of the world where it is still Thursday?) let’s have another version of the Brockes-Passion, composed by another Bach-contemporary and former Sängerknabe of the famous Thomasschule of Leipzig, Johann Friedrich Fasch. Although they have not met at Leipzig (having been at the same age, Fasch just finished his study years ten years before Bach arrived to begin his teaching career at a position that was originally intended for Fasch); their sons, Carl Philipp Emanuel Bach and Karl Friedrich Christian Fasch were friends and even roommates when both employed at the Potsdam court of Friedrich the Great. Their job was to play continuo for the king, a flute player and amateur composer himself, whose teacher was Johann Joachim Quantz, the author of the the bible of all traverso players of all times (myself included), Versuch einer Anweisung die Flöte traversiere zu spielen, which is an endless source of information on the performance practice of the first half of the 18th century. 

Back to Papa Fasch – although he composed numerous cantatas and some other vocal works, this is his only oratorio. The opening movement is a nice choral in a polyphonic setting, the violins doubled with oboes, which is a great plus in my eyes. The voice of the Baroque oboe is one of the (very few) things that make life bearable.  

Two years ago I posted Pater dimitte illis from the oratorio Agonia di Cristo (Le Ultime Sette Parole) by Niccolò Jommelli with some stunning obligato bassoon part. Last year’s music for Maundy Thursday was Jesus in Gethsemane by Francesco Antonio Rosetti, which unfortunately seems to have disappeared off the face of the Earth YouTube since then. That’s what happens to good music in our days. I am so sad.   

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