Die Kreuzigung (The Crucifixion) from the famous and unique collection Die Rosenkranzsonaten (The Rosary/Mystery Sonatas) composed by Heinrich Ignaz Franz Biber, one of the greatest violin virtuoso of the 17th century, for the Salzburg archbishop Maximilian Gandolph Graf von Kuenburg, around 1675.
I’m somewhat overwhelmed by the thought of speaking about this piece – more by its historical background than by its religious symbolism though. How could I explain 17th century Catholic customs, scordatura tuning, meantone temperament, stylus fantasticus and Biber’s role in the evolution of Baroque music in Austria in one short blog post? In English, which is only my third language? Totally hopeless. So let’s forget about facts and numbers and historical sources and listen to this sonata instead. It’s beautiful.