Posts tagged ‘Easter Sunday’

April 5, 2015

music for Easter Sunday – François Couperin: Motet pour le jour de Pâques

by ada

François Couperin (le Grand! – indeed he was great), court musician, composer and harpsichord teacher of the Sun King, Louis XIV, composed this Easter motet around 1700. It was most likely performed by his cousin, Marguerite-Louise Couperin, a soprano singer of the Chapelle Royale. Happy Easter!

Advertisements
April 20, 2014

music for Easter Sunday – Michel Corrette: Laudate Dominum de coelis

by ada

For Easter Sunday let’s have something fun: the motet Laudate Dominum de coelis  by Michel Corrette, the Telemann of France. He, just like Telemann, also played every existing instrument you can think of, including hurdy-gurdy. Being as altruistic as he was, he wanted to share his knowledge with everyone so he just kept on writing practical treatises (I’ve read only the one for the flute, but there are so many more). As for the music he composed, most of it can be described with the sole word: cute. All those glittery harpsichord pieces and delightful Noëls, really, pure cuteness. If we would all listen to more Baroque hurdy-gurdy music like this, we could make the world a funnier better place to live in.

The second movement might sound quaintly familiar which – would I not be so exhausted* – would bring me to the fascinating topic of copyright laws in the 18th century Europe and down the rabbit hole of the conflict of French and Italian music tastes during the 17th century, beginning with Giovanni Battista Lolli***, the most French (Frenchest?! Seriously, my English just keeps on getting worse with every word I type) composer of all times and trendsetter for generations of musicians who were – unlike him – indeed, French. He, btw, was also the one who monopolised the 17th century French music market through securing for himself the right to compose and produce operas, thereby financially ruining lots of his fellow colleagues. A smart businessman, he was.

* I spent the night with watching old series of Buffy, the Vampire Slayer. I went to bed at 4 am. Now I feel like I slayed vampires all night. Or, more precisely, like I were a slain vampire myself**

** I’m totally aware of the fact that this is not the way one is supposed to spend the night of the Resurrection. But I have my excuses, like 1) my family doesn’t celebrate Easter (we still will organize an Easter egg hunting for M&M though, because well, they are children and children deserve to have fun) 2) I’ve had my head and soul full of ICU lately and just crave some meaningless recreation time before starting in a new hospital on Tuesday 3) I’m reliving my teens.

*** you may have heard of him as Jean-Baptiste Lully, the man who lived for and died of French music (literally)

PS.: Surrexit Christus hodie by Esterházy Pál for 2012 and a proper Easter Sunday cantata by Johann Sebastian Bach for 2013: Der Himmel lacht, die Erde jubilieret.

PS 2.: Happy Easter and Happy Passover!

March 31, 2013

March is the month of expectations…

by ada

… that never come true, haha. I thought my intellectual life couldn’t go worse, but well, it did. In March, I managed to finish exactly two books or, well, actually only one and a half, because one of them I started reading already in February. And no, I haven’t been watching movies either. Not a single one. What I actually did in my spare time, I don’t even remember. I was sleeping it through, I guess. I wonder if I will ever be “me” again or I’ll remain this strange creature of compromises and indifference who I became through the depression, forever.

Another depression post for the most joyful day of the year, yep.

March readings

March 31, 2013

music for Easter Sunday – Der Himmel lacht, die Erde jubilieret, BWV 31 by Johann Sebastian Bach

by ada

Today’s music is the first choir, Der Himmel lacht, die Erde jubilieret from the cantata of the same title, written by Johann Sebastian Bach for the Easter Sunday of the year 1715, during his Weimar years. I wish I could identify myself with its jubilant atmosphere but well, neither the Heaven laughs nor does the Earth exult, because it actually snows again and I’m already so sick of this winter, it really feels like giving up, lying down and dying. Not exactly that brassy resurrexit-feeling one would like to have on Easter Sunday.

P.S.: Last year’s post was something Hungarian: Surrexit Christus hodie by Esterházy Pál. You can listen to it  here.

April 9, 2012

365/100

by ada

The obligatory Easter Eggs And Chicken Kitsch Picture. Our family doesn’t really celebrate Easter, so I don’t have the necessary practice in egg dyeing, but this year I wanted to give it a try (because I wanted to post an Easter photo, hm). The result is not exactly what I call a success. I managed to produce only four eggs that have a halfway decent look, the other ten victims of my experimentation broke, are too ugly to show or did not change their colour at all. These poor things also look like ordinary brown eggs with weird white patches, but, well, they are mine and I like them.

April 8, 2012

365/99

by ada

For Easter Sunday and for my last music post is something that hopefully restores our cruelly shattered national image a bit: the cantata No.29, Surrexit Christus hodie from the collection Harmonia Caelestis of Esterházy Pál, the one and only Hungarian baroque composer. During Baroque times we were too busy with singing our deprimating folk tunes, mourning about our terrible destiny and rebelling against the Turks or the Habsburgs or both at once (and, in the short but happy breaks of war, wildly dancing csárdás while being drunk) to care about art music. Our dance music was always quite fashionable among folks from other parts of Europe, and during the Romantic era composing music in stile Hongroise was a huge hype and it resulted quite a revival of our national music even in our own country, but Hungarian Baroque music, as genre, actually doesn’t exist except of this collection. Esterházy himself was more of a politician and soldier, who took part in the war against the Ottoman Empire pretty decently, than a man of culture.

The family Esterházy is a prominent example of the almost 1000 years old Hungarian nobility. They are the ones, who employed Haydn as their court composer, so their love of music (and their irresponsibility in financial matters, haha) resulted some excellent compositions of Haydn, like the Baryton trios or the Surprise Symphony. And, if you care about modern literature, you’ve sure already run into the family roman Harmonia caelestis (yes, the same title) of our internationally acknowledged contemporary writer Esterházy Péter.

This very collection was published in 1711 in Wien and contains 55 cantatas for the Catholic liturgy. They are written in a rather simple style with homophonic accompaniment, but, I think, from a man who spent his life mostly with fighting for freedom, and from an era of blood, sadness and war, it’s a nice attempt of trying to keep up with the world and culture outside of Hungary.

%d bloggers like this: