Posts tagged ‘Holy Wednesday’

April 2, 2015

music for Holy Wednesday – Niccolò Jommelli: Jerusalem convertere

by ada

I wanted to post a typical French Baroque lamentation today but couldn’t set my mind on one particular piece – so I decided to choose something entirely different in style: an aria from Niccolò Jommelli‘s oratorio “Le Lamentazioni del profeta Geremia per il Mercoledi Santo“. I find it fascinating how this piece, written only one year after Johann Sebastian Bach‘s death, is so definitely not-Baroque anymore.

By the way, Jommelli, just like a lot of other composers of his era, had a life I’d swap my own for at any moment, but it’s 2.30 am and I just don’t have the energy to tell more about it right now. So let’s just listen to his (rather cheerful) adaptation of Prophet Jeremiah’s call to repentance.

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April 16, 2014

music for Holy Wednesday – Jan Dismas Zelenka: Lamentatio I pro Hebdomana sancta, ZWV 53

by ada

According to my own tradition I’m supposed to post something French today. Two years ago I wrote about the most beautiful Tenebrae music of all times, Troisième Leçon de Ténèbres pour deux voix composed by the 18th century royal harpsichord teacher François Couperin. Last year it was Leçon de Mercredi by another royal harpsichord teacher, Michel Delalande. I can’t make up my heart to leave my eternal love and longterm imaginary boyfriend, Jan Dismas Zelenka completely out of this year’s series though, so for Holy Wednesday let’s listen to one of his beautiful lamentations, Lamentatio I pro Habdomana sancta, based upon Prophet Jeremiah’s laments. While it’s definitely not French music, it fits the Tenebrae-tradition perfectly. 

March 27, 2013

music for Holy Wednesday – Michel-Richard Delalande: IIIe Leçon du Mercredi Saint, S. 118

by ada

Last year I posted the world’s most beautiful Tenebrae musicTroisième Leçon de Ténèbres pour deux voix from the harpsichord teacher and court composer of Louis XIV, François Couperin. It’s a piece that’s really difficult to outbid. Fortunately French Baroque church music is overloaded with great compositions (so much that it makes me feel overwhelmed and troubled, actually). Originally I wanted to write about Michel Lambert, the composer of countless airs de cour, who wrote the first Leçons de ténèbres ever, as soon as 1662, but unfortunately YouTube is totally ignorant of the unique importance of his work so I just randomly picked one from another royal harpsichord teacher, Michel-Richard Delalande, who is famous for winning a composers’ competition that’s judge was XIV Louis, only and alone. Let’s speak about the role of totalitarian regimes in the evolution of music, haha.

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