Posts tagged ‘Jean-Baptiste Lully’

April 20, 2014

music for Easter Sunday – Michel Corrette: Laudate Dominum de coelis

by ada

For Easter Sunday let’s have something fun: the motet Laudate Dominum de coelis  by Michel Corrette, the Telemann of France. He, just like Telemann, also played every existing instrument you can think of, including hurdy-gurdy. Being as altruistic as he was, he wanted to share his knowledge with everyone so he just kept on writing practical treatises (I’ve read only the one for the flute, but there are so many more). As for the music he composed, most of it can be described with the sole word: cute. All those glittery harpsichord pieces and delightful Noëls, really, pure cuteness. If we would all listen to more Baroque hurdy-gurdy music like this, we could make the world a funnier better place to live in.

The second movement might sound quaintly familiar which – would I not be so exhausted* – would bring me to the fascinating topic of copyright laws in the 18th century Europe and down the rabbit hole of the conflict of French and Italian music tastes during the 17th century, beginning with Giovanni Battista Lolli***, the most French (Frenchest?! Seriously, my English just keeps on getting worse with every word I type) composer of all times and trendsetter for generations of musicians who were – unlike him – indeed, French. He, btw, was also the one who monopolised the 17th century French music market through securing for himself the right to compose and produce operas, thereby financially ruining lots of his fellow colleagues. A smart businessman, he was.

* I spent the night with watching old series of Buffy, the Vampire Slayer. I went to bed at 4 am. Now I feel like I slayed vampires all night. Or, more precisely, like I were a slain vampire myself**

** I’m totally aware of the fact that this is not the way one is supposed to spend the night of the Resurrection. But I have my excuses, like 1) my family doesn’t celebrate Easter (we still will organize an Easter egg hunting for M&M though, because well, they are children and children deserve to have fun) 2) I’ve had my head and soul full of ICU lately and just crave some meaningless recreation time before starting in a new hospital on Tuesday 3) I’m reliving my teens.

*** you may have heard of him as Jean-Baptiste Lully, the man who lived for and died of French music (literally)

PS.: Surrexit Christus hodie by Esterházy Pál for 2012 and a proper Easter Sunday cantata by Johann Sebastian Bach for 2013: Der Himmel lacht, die Erde jubilieret.

PS 2.: Happy Easter and Happy Passover!

March 25, 2013

music for Holy Monday/Seder Evening – “He smote all the first-born of Egypt” from Georg Friedrich Händel’s Oratorio “Israel in Egypt” HWV 54

by ada

I seem to stick to Big Names this year, for today’s music is written by nobody else than Georg Friedrich Händel, who is considered to be the most important person if it comes to English Baroque music – even if he was actually a German. Well, that’s how things worked in the 18th century – the most important person in the history of French Baroque music; the man who called the famous French style that ruled the music scene of the 18th century, to life; the man who got the idea of synchronizing the bow movements of the violins in the orchestra first; the man who was smart enough to secure the publishing rights in whole France for himself alone, the man who is known as Jean-Baptiste Lully was, in fact, an Italian. So, if it comes to style, nationality plays never that big role we like to imagine.

Händel spent most of his musically active years in England. His music is as English, as it can be – biblical stories set in pompous orchestral style with heavy choir settings and lots of brass and drums. This oratorio, Israel in Egypt, tells the Passover story – and this aria (well, it’s actually no aria, it’s a choir movement) is about the last of the ten plagues. Enjoy the nice Quintfallsequenz starting at 1:35 :o)

%d bloggers like this: